The Mandela Effect and WTF?

I was born in 1974 and therefore grew up in the 1970s and 1980s. There are a lot of things I remember very clearly from my time growing up (and some that I don’t). What I do know is that all of these memories are real. I can remember the color of the first telephone we had in our house… and how it had a long, dangling cord that I would sit on and swing back and forth when I was a wee, little child. I can remember the brand name of the flush valve handle that was on the toilet in that house, the tile pattern in dad’s den, the color of the carpet dad bought at the local hotel when they remodeled (I think it was then a Best Western and still is), the phone numbers as well as addresses of all of my local friends (y’know, within the square block I was allowed to travel without crossing Stephens street or Garden Valley Boulevard). I can even remember the toilet paper that we used at that time (and found some on eBay -which I purchased for my mother for Christmas, despite it not being produced for more than 30 years).

I have very definite and solid memories of all of this.

Since the three of us children were all of different ages, we owned all of the typical books of the day which a child of any age would possess: All the Golden Books, pretty much every Hardy Boys ever written (we were definitely missing some, but always checked at yard sales), a ton of Choose Your Own Adventure books, and the Berenstain Bears. The book list is in no particular order except to place the Berentstain Bears last. The point being that we had a lot of books that we read pretty much every night. Whatever time “bedtime” was, we could read for an hour before that to keep the lights on.

In the last several years, I have seen a lot of people posting about the “Mandela Effect”. The argument is basically that my memory is wrong because they remember it differently. That argument is about the biggest pile of excrement I’ve ever seen.

When I was still a wee lad, my brother Dan happened to find a Berenstain Bears log/house/fallen tree at a yard sale. He saw that sucker before I did and snatched it up for whatever price a second-hand, kids toy sold for in the 1970s (definitely less than a buck). You could fold down the front of that log/house/fallen tree to make the bears play within it and then fold it back up to make it look like a log again. I’m only saying you could fold it because I’m almost certain that velcro didn’t exist at the time and I can’t find an example of it on eBay or any vintage toy websites.

I was envious of brother Dan and Covetous of that toy. Yes, it was a much simpler time. One thing I know for certain is that when that log/house/fallen tree was closed up, it said: “The Berenstain Bears”. It did not say “Bearenstein”. I know that 100% and as viewed with my own eyes. If everyone else remembers it differently, that’s on them…

Next up: Looney Tunes…

TV back in the day wasn’t what it is today. You just had to watch what was on. For me, that was mostly cartoons on whatever network was playing them. They were pretty easy to find since there were only 4 real channels (ABC, NBC, CBS and PBS). Later, UHF started to offer some content more similar to what we see today (a bunch of random shit that appeals to a very small market) but at the time, it was just the 4.

I watched a ton of these cartoons growing up. They either displayed a “Looney Tunes” or “Merrie Melodies” logo at the start and end, depending on evidently a bunch of stuff I don’t know about and don’t care to educate myself about. They were called: “Looney Tunes” and “Merrie Melodies” -see below.

It seems that now people are remembering “Looney Tunes” as “Looney Toons.” No. Just No.

I remember them firmly from my youth and always wondered why the focus was on the terrible music that was playing. And if you’re trying to emulate something with “melodies” in the name, does “toon” or “tune” make more sense?

I think I can explain this one…

Merrie Melodies/Looney Tunes (same studio, same time period) were appealing to my parents. With the music, I guess?…

And since those who believe the Mandela Effect is real aren’t great at looking back to determine if anything actually happened, there are claims that our minds were collectively wiped to “mis-remember” the names of shows from damn near a hundred goddam years ago…

If I had the power to alter people’s minds, I wouldn’t waste it on cartoons older than I am, or toys that no one cared about in the first place. I’d waste it on getting hot girls to send me nudie pix. That’d be a great use of time/resources.

Music is universal, but not generational…

I know that I have I have 100% been ‘That Guy’ in relation to this particular subject.

The music I heard when I was between about 12 and 18 years old rules the Goddam world. Nothing before or since has ever even come close to it. I would swear that on a bible! Every other person that lives on planet earth would swear the same, but based on the music they listen to. For at least a decade, I thought that those who didn’t appreciate my music simply hadn’t heard my music. If they had heard it, I reasoned, they would fucking love it. … Not so much.

The image below shows some other guy (with a youtube channel) reaching that same realization:

He’s way into it, she’s doing her best to force her frown the other way (and not making it happen). She just doesn’t like this music. In her mind, this probably isn’t even music; it’s more like the noise they play in elevators to ensure that there is no silence between floors. She is 100% disinterested, and would much rather be doing anything else. Music has changed a great deal in the last 30 years. She wasn’t alive for most of those 30 years, but her dad was. He still believes that a Metallica song from 1988 is the pinnacle of music for all time and can never be bested (in fairness, I agree with that guy) but his daughter just doesn’t care about the song.

The girl tries to smile whenever he stops the music to look over to her, but she clearly just wants it to be over:

https://youtu.be/Ej4ZKBzCgyI

There are two worst parts to this. The first is that the promotional image which was placed on the start screen is one where they were both smiling. This did not happen during the song. The girl was equally confused and irritated for the entirety of the song. The next worse part is that he made he watch another Metallica video. She seems stoked on it?

I’m pretty sure she just pretended to like it so that the pain would stop. And she wasn’t doing a great job of liking it. The dude in the video was pretty sure she was liking it though!

Some people like the color blue, others like the color red. If you try to tell someone that likes the color blue that red is the best color, they aren’t going to change their mind. Music seems to be the same. Your taste, style, and influence for what you like was probably determined about the time of your birth. No amount of people forcing other types of music on you is likely to change that.

If you weren’t in your formative years in 1988, you’re probably not going to appreciate the music of 1988, regardless of how objectively awesome it is.

My first full guitar build: Semi-hollow body

So, after some promising but lackluster results with my attempt to refinish a damaged Ibanez G10 guitar I figured why not go whole hog and do one from the ground up? To add a ton to the degree of complexity, I decided to go with a semi-hollow body guitar for full build number one. To further add to the difficulty, I chose to dye the wood grain rather than paint over it. Because seriously, when you’re learning to ski, are you going to learn more on the Bunny Slopes or on K12? (and kudos to anyone who got that reference without clicking the link.

So I ordered up a kit and set to finishing it. The body looked like this coming out of the box:
The front had a beautiful grain that I figured I’d be able to finish without much of an issue. Seriously, it looked like I could just throw some blonde (or an equally light-colored) stain on it, lacquer it, and call it a day. That wasn’t my intention though. I bought this specifically to build for my oldest brother, Dennis, for Christmas. The guitar he is currently playing is a semi-hollow body one that I bought for him when I was about sixteen, and that is a damn long time ago. It is showing signs of age, and I thought he might like an upgrade. I was initially pleased with how good the grain on this one looked, because I figured it would be pretty damn easy.

Nope.

The front of the guitar was a beautiful piece of wood in a butterfly cut, which made for a wonderful grain and some awesome symmetry. The back, on the other hand, looked like this. Since it is a sort of hybrid of acoustic and electric, the front appears to look more acoustic, while the back looks like an electric. That means that it is made of some nasty-ass basswood. More than that, the thought appeared to be ‘fuck the grain, just glue some shit together’. At least that’s what it looks like. I assure you that it looks every bit as bad as this photo (and probably worse). That was disappointing.

But since I figured I’d be able to get an easy home run out of the front, I started finishing the back first. I figured I couldn’t paint it, since I was only going to be dying the front, which meant I’d have to dye the back as well. This turned out to be a PROCESS.

I have to admit that after laying down the first coat of dye (I should mention that I’m using Keda Dyes for the entire finish. Mixed more or less as suggested) I was skeptical that I’d be able to pull this build off. After the first coat (which is still wet in the photo) it looked more or less like I’d taken a magic marker and ran it over the back a bunch of times. I think that may be my way of saying that I thought it looked pretty shitty. You can totally click through that image to see it in larger scale, though I wouldn’t suggest it.

But, after sanding back the black and laying down a coat of dark blue, it started to come around:

Those pictures were taken at the same time but from different angles and with different lighting. The dye was still a bit wet at the time, but I found it odd that one angle showed it a deep blue while the other angle hinted at it being almost purple.

Once it dried, the back began to give off a more even color regardless of the direction of the light. I sanded it back once more, dyed it once more (dark blue) and then layered it with about three coats of spray lacquer. The final result looked like this:

Not exactly the color I was hoping for, but there are enough interesting things going on in the cheap, basswood grain that it still looks totally finished (scroll up a couple photos to that first image of the back if you don’t believe me). The back came out pretty darn good.

Once I’d caressed the ass of this guitar to the point that I was happy, I had to start working the front. That was not such an easy process. I first thought I was going to do a sunburst pattern. Yeah, not so much. Here is the result of the first coat of stain toward that:

You’ll no doubt note the exceptional attention to detail as the dark blue around the edges very gradually fades to the light blue in the center. It’s like a gradient that’s using the full 256 million color capability of modern computers. Goddam seamless is what it was. A perfect sunburst pattern, but done in blue!

Yeah, even I wasn’t believing that bullshit and I tried really hard to believe it. To be fair, I knew it would be pretty stark with the first passing and I would lightly sand it back. I’d then cover it with lighter coats of just the light blue until it got to the point where the transition was seamless. I think I could have pulled that off, but I had to give up on the idea because … At the bottom of the photo (if you were holding the guitar to be playing it, it would be just above the top ‘F hole’. There are several areas the dye just wouldn’t penetrate. My assumption is that there was some sort of glue or solvent still present that the dye simply couldn’t touch. Regardless of why, I knew I couldn’t continue with the sunburst finish.

So I sanded the whole thing back. Not to bare wood, but enough that the light and dark blue no longer appeared to be separate colors. It took a lot of sanding, and I don’t have photos of it along that particular path, but once I’d sanded it back a reasonable amount, I layered the entire front in dark blue. And here is the result:

Yep.

I put about a dozen arrows on that image to highlight the flaws, but they in no way point to ALL the flaws. The thing was fucked even after sanding it back and laying down a new coat of dye. It was just that bad (which is all my fault for not sanding enough in the first place. The surface looked so good to begin with that I started with 220 grit and worked my may to 600 grit. I never considered that I might need a coarse sanding).

The next step was unquestionably the most difficult part (mentally) of the entire process. I had to admit that I was never going to finish the project without basically starting over. I put some 90 grit paper on my orbital sander and, with a tear of regret, destroyed my masterpiece. I took care to sand heavily in the problem areas, but tried to go light in the unaffected areas. I also made sure to leave areas of blue amidst the fully sanded area with the hopes that the contrast would pay off later. After an hour or so (the first half with 90 grit, then 20 minutes with 150 grit, and another 10 with 300 grit) this is what I had:

While I’m not going to take the time to highlight every one of the problem areas again, you will note that I sanded all of the problem areas back to bare wood (a few of which I did highlight. Bear in mind that I was using wood DYE so there was no way to get it back to bare wood). Anyways, here is a photo pointing out a few areas I sanded back to wood while leaving other areas a much darker blue:

I want to note that I spent a lot of time making sure this sanding phase left light and dark areas. It was only when I had to sand the whole thing back that I decided I was going to call the project “Blue Velvet”. I hoped that leaving enough light and dark areas would allow me to pull off that effect in the end.

The good news is that my sanding worked out great. Here it is after a couple coats of dark blue dye and a bit of time to dry:

That is a pretty accurate photo of its state at the time. Probably the most accurate photo of any yet posted. The waves of color came out really well, but there was no … what? Pop? Luster? Sheen? I don’t know. It just lacked something.

When I began this project, I decided that I wasn’t going to finish the front with any sort of lacquer. Instead, I was going to finish it exclusively with Birchwood Casey’s Tru Oil. I arrived at that decision after reading tons of reviews and recommendations about finishing a semi-hollow guitar. Tru-Oil, they say, dries in such a way that it will add luster with each thin coat. The result of that will be that after 20 or 30 coats (and I easily put 50 coats on the front of this thing) each coat will dry differently and give the finish something approaching iridescence. Yeah, I was skeptical too. But after rubbing in a coat of Tur-Oil every half hour that I was awake over the course of two or three days, the finish really started to pop.

Here are a couple images of the final product (the dye and Tru-Oil was completely dry by the time I took these photos):


After all the time spent dying and Tru-Oil’ing this thing (it was definitely dozens of hours and probably hundreds) I was very pleased with just how well it came out. I did buy the gold pickups, gold bridge hardware, and gold knobs aftermarket (the kit came with silver accessories and different colored knobs). And trying to finesse all of those things into place through the f-holes on the guitar was extremely trying. Thankfully there are a lot of youtube videos to help you through wiring a semi-hollow guitar. What there aren’t a lot of youtube videos of is what to do when you try to finish a guitar and part of it simply won’t accept wood stain. I limped through it pretty well, but I wish I had been vain enough to video the process. I think you’d have to agree that from the photos at the top of the page to the photos on the bottom, I really nailed this one.

As a final note, The Fret Wire (the place I bought my guitar kit) featured MY GUITAR BUILD -dubbed ‘Blue Velvet’– on their website on January 2, 2017. So it may not be me blowing my own horn when I say the final product looks pretty damn good.

The word of God? Not so much

When I was a kid, I tried to be the best little christian I could be. As a result of that, the following words are burned into my brain:

“For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him shall not perish, but have everlasting life.”

That has been etched so deeply into my memory that I couldn’t forget it even if I wanted to. It’s like the pledge of allegiance*: while I haven’t actively thought about it for over three decades, I remember it verbatim. So, while leafing through a booklet today while I was eating lunch -one of those books that is disguised as something other than the bible. You know, it has picture of a waterfall and a title like, “Ten easy steps to change your life” or something like it, then you open it up and get Rickrolled into reading the bible. I was surprised to see this:

“For God so loved the world, that he gave his only begotten Son, that whoever believes in him should not perish, but have eternal life.”

I’ve added some italics to the passage above to highlight the changes. It has always been the argument of the church that the bible was the undisputed word of God. Sure, I’m talking about the gospel according to John here (purportedly written somewhere between the first and third century -depending on who you ask), but I’m also talking about the single most recognizable verse in the whole book. If they can change four words in the most recognizable verse of the bible in the forty years I’ve been alive, how can anyone believe that the rest of it isn’t, at best, paraphrased?

I can already hear the arguments, “The words have only been changed to make them easier to understand.” Or perhaps, “The words may be different, but the message is the same.” Which are both valid arguments, but which in no way change the fact that the words were altered. I’m not arguing that the message changed, only that the words changed. It may not change the meaning, but if they’re brazen enough to change this verse right in front of us, just imagine all the other ones that have changed over the millennia. Maybe the message remained the same (although that seems unlikely since we are forever watering it down to discount all the brutality, murder and sex) but it seems like the best case scenario is that it’s God’s word filtered through a game of Chinses whispers involving tens of thousands of people and lasting for hundreds of years.

Just saying.

*What’s funny about the pledge of allegiance is that I remember it as:

“I pledge allegiance to the Flag of the United States of America, and to the Republic for which it stands, one Nation, under God, indivisible, with liberty and justice for all.

I highlighted a portion of the text there, because the way I remember it isn’t the way my Grandparents remember it:

“I pledge allegiance to the Flag of the United States of America and to the Republic for which it stands, one nation, indivisible, with liberty and justice for all.”

And even the version they remember wouldn’t be the same as the one their Grandparents remember:

“I pledge allegiance to my Flag and the Republic for which it stands, one nation, indivisible, with liberty and justice for all.”

I wonder how our children’s children will remember it…

Questionable survey choices at Carnival

Since I’m getting older, and thus far estranged from the demographic being targeted by most consumer surveys, I like to take them when offered. My goal is to make sure that those in the 18-39 demographic have to put up with the same bullshit I did when I was part of the cash cow group: Make sure they have to listen to music they don’t like, see entertainers they have never heard of, deluge them with ads for investment firms they are still two decades away from caring about, and that kind of thing. When I was taking a recent survey after returning from a cruise though, I found that Carnival takes it a step further than even I would have. Here are the options presented for what kind of music you enjoy:

carnival

I don’t claim to have my finger on the pulse of current popular music or culture, but Jesus Christ.

I’m not familiar enough with country to know about the choices there. I think Carrie Underwood might be fairly current? Toby Keith and Brookes & Dunn are probably still shitting out albums that fall just below mediocre, as country acts tend to do that for decades after they had their hit. I guess they may all be current in that way.

But a couple of the other choices are full-on WTF.

I don’t think anyone listed on girls vs. boys bands (and why vs.?) has had a record since like the late 90’s -barring some reunion, quick-cash bullshit. I think Boys 2 Men might still be touring in support of the CooleyHighHarmony album (or the more popular reissue of it, at any rate). Hell, if I had an album that sold 9 million copies in the U.S., I’d milk that shit until the day I died. But is anyone really going to check that box on a survey? Even without listening to this kind of music (as far as you know), I would think that they could have put something more current in the list. Hanson was a thing for a while, and I think they are still touring. The Jonas Brothers were hugely popular for a decade or so before they got a little too old and ugly to make anyone’s heart (or anything else) throb. One Direction is currently bringing me within inches of suicide every time I’m within a hundred yards of a shopping mall… I will give them a pass on the girl bands portion though, because I can’t name any more current.

Of course the biggest issue with the selections is obviously the Rap/Hip Hop. Kris Kross, Doug E. Fresh, and Vanilla Ice all came and went while I was still in high school –twenty-five fucking years ago. I don’t think any of them had even a minor hit after about 1992. Chris “Kriss Kross Daddy Mac Mac Daddy” Kelley died in 2013 and hasn’t yet succeeded in pulling off the release-a-bunch-of-new-albums-posthumously thing that Tupac was so good at (and Tupac would have been a more current act to put on their list of rappers, despite being dead for the last decade). Kriss Kross also loses points for never releasing an album called the Kriss Kross Kollection, which would have been cool as hell.

Doug E. Fresh had his hit in 1985. It was the very definition of a flash in the pan. Since this song was recorded with the much more popular Slick Rick, you can’t even really call Doug E. Fresh a one-hit-wonder. More like a half-a-hit-wonder. But half a hit, thirty years ago, is enough to make it onto Carnival’s list of Rap/Hip Hop acts!

caiFinally, Vanilla Ice. Seriously? He stole his high-top fade from Kid ‘n Play and the hook from his only hit from Queen and David Bowie. Sure, he put a lot of seventh-grade asses on the gymnasium dance floor in 1990, but he was hardly a rap or hip-hop act. Yeah, sure, he put out other albums and has managed to stay in the public eye (as recently as February 2015 when he was arrested for burglary and grand theft). He was also fucking Madonna, back when that was a good thing (prior to Dennis Rodman destroying her for all men in 1994. I’m not talking about size either. Maybe he’s hung like a donkey and totally destroyed her. Who knows? Answer: No one. Would you stick your junk into something Dennis Rodman did?) He also put out one of the shittiest movies of all time. Cool As Ice sat at 0% fresh on Rottentomatoes.com for several years before this douchebag gave it a 5/5 with a 20 word review, ending in “Ice Rules!”. I’m not saying Vanilla Ice sucked his dick to get that review, but I’m also not saying that he didn’t (maybe Robert Matthew Van Winkle did). As shitty as the movie was though, I’m glad he made it. It has some of the most memorable one-liners I’ve seen in a movie review. A few examples:

“So bad that it’s borderline fascinating.” -Mike McGranaghan (Aisle Seat)

“Having established that he can’t rap or dance, Vanilla Ice now adds acting to his resume — call it the tri-imperfecta of pop.” -Richard Harrington (Washington Post)

“This one is absolutely pricless in its awfulness.” Scott Weinberg (efilmcritic)

I know some would say, “well, then, where’s your movie, smartass?” The answer to that is that I had the good sense not to make one (I also didn’t have the opportunity, budget, or desire). Something I bet Vanilla Ice wishes he had back in 1991, when Carnival put together the survey question that I had to answer in 2015.

Back Cover Copy finalized

The back cover copy for In the Shadow of Angels, often called a blurb, has been finalized. I have never attempted to write back copy before, and it turned out to be tougher than I imagined it would be. My goal (as mashed together from dozens of idiot’s guides to blurb writing) was to 1) Use strong buzzwords to evoke mental images. 2) Give a hint at the genre of the book. 3) Introduce characters and hint at the stakes of their situation. 4) Leave the reader with questions that can only be answered by reading the book. 5) By virtue of having achieved steps 1-4, rook them into buying the book (which can hopefully live up to the expectations I have set).

All that in about 150 words, and without giving away anything of the plot. Right. To put that into perspective, I have used more words in this preamble than I used in the entire blurb. But I think I did a pretty good job for a first timer:

“Devin Bryant is a young accident attorney who seems to have it all: Gorgeous wife; Beautiful house; Fancy car; Successful career… But, like everyone else in the town of Ashwood, he also has dark secrets.

When he finds one of his dark secrets, local seductress Jezebel Anders, dead outside his hotel room, he panics. Now he finds himself slipping into an abyss of corruption, deceit, blackmail and murder from which there is seemingly no escape. As the spiral grows to ensnare his wife and friends, all of their freedom –their very lives- are at stake. Their only chance is to work together.

When every choice is more heinous than the last, and even your allies have secrets, the only way out is to slither ever deeper. But if they sink low enough to prevail, will they find themselves trapped forever in the shadow of the angels?”

What do you think?

My first novel slated for release!

My first novel, In the Shadow of Angels is complete (as much as it ever will be) and will be released very shortly. After having spoken to a couple of acquaintances regarding editing options, I’ve made the (probably horrible) decision to release the first edition without further editing.

The decision to release without editing is because the likelihood of it actually selling to anyone other than me seem infinitesimally small, so it seems a waste of money. It was suggested that I print copies for friends and family and then just wait. If I sell 100 copies, I will have it edited and re-release it. Don’t miss out on your first chance to own a first edition! Check out the (work in progress) website

11/22/63

My mother has always been a huge fan of Stephen King. I … have not. My experience with his work goes just about as far as the movies that have been created from his works. Some of which have been excellent (The Green Mile and The Shawshank Redemption jumping immediately to mind), and some of which, not so much (Maximum Overdrive and Maximum Overdrive springing immediately to mind [and yes, it deserves being mentioned twice here]). A quick look on rottentomatoes shows that it’s not just my judgement of the aforementioned titles either; The Shawshank Redemption comes in at 90% fresh, The Green Mile is sitting at 80%, and Maximum Overdrive is a lowly 17% (and I can’t help but wonder how many of those 17% are being quite generous in an award the over-the-top-cheese-fest kind of way).

Being that my mother has been reading King longer than I have been alive, I never really had any desire to read his work. I know that probably seems a bit shallow, but see how it transfers to other forms of entertainment. Can you honestly say that you enjoy the same musical artists as your parents? I’m guessing no, but then again if you are really into classical I could see sharing some common interests. For most of us, though, Frank Sinatra, Elvis, and the Everly Brothers probably don’t have a great deal of appeal. I obviously don’t know if those particular artists are ones that your parents listened to, but mine did, and it was and is actively painful to listen to -even today. Elvis’ rendition of the song Blue Christmas remains the most annoying song ever, IMHO, because of 1) the annoying chanty woohing girls, and 2) you have to hear it hundreds of times a year. Every store on the planet earth seems to have this crap in its Christmas rotation.

That being said, that really wasn’t the only reason I didn’t read King. There was also the supernatural aspect. I just don’t find horror or suspense in the supernatural when reading a book or watching a movie. It makes it difficult for me to empathize with a character when they are attempting to deal with the bogeyman rather than dealing with some real -tangible- adversary. Even if that adversary is within themselves; some of the best fiction I have ever read involves a character battling torment inside their own mind. But there is a difference between someone losing their tenuous grip on sanity and, say, a diesel rig suddenly becoming sentient and killing everyone in sight. I’m sure it takes a great deal of imagination to come up with the latter, but, to me, it just isn’t all that interesting to read. I would much rather see a real person facing a real dilemma -in a real world, governed by real laws of nature and physics.

I did attempt to read one of King’s books while I was in high school. That book was It. It is an 1100 page behemoth of a book that I can’t remember a damn thing about. There was a clown named Pennywise -I only remember that because a band later emerged with the same name. I started reading this one somewhere around my junior year (possibly the end of my sophomore year) and finished it probably about the time I was 19. Certainly not a page-turner, at least not for me. And this was at a time in my life when I routinely read Terry Brooks, who, while not particularly original, wrote some relatively lengthy books that I was able to read over a couple of weeks just finding time between school and work.

All of this is hardly glowing praise of King. However, my opinion began to change when I started reading 11/22/63.

I recently bought a Google Nexus 7 and was playing around with it when I noticed that 11/22/63 was on it -or so I thought. As I would find out later, the first 50 pages or so were on it, and then it just abruptly stopped. I had to buy it to continue reading it. I was pretty surprised to find myself shelling out the 10 bucks for the digital edition without giving it much thought.

The concept of 11/22/63 is not something that is new to me. In fact I have actually penned a couple of stories with the same premise. One of them, which I remember rather fondly, was a short story where someone went back in time (I either can’t remember how or why -or possibly I never explained it) with the intent to stop Kennedy’s assassination. In my short, Oswald was actually killed well over a year before he would take the life of the president. While I can’t remember if I explained exactly how or why, this led to the Cuban missile crisis actually ending in full scale nuclear war. The U.S.A. and Russia both unloaded their full arsenals on each other. The warring countries in the middle east rose to power in the ensuing chaos. Of course I just wrote that out on a whim, having done no research whatsoever into the impossibility of it all. But it was a wonderful idea to play with.

When I started reading 11/22/63, I was really just curious to see where King would take the same idea. Thankfully the appearance of the supernatural in this book is limited to getting to the past in the first place. There are some ‘card men’ that exist in the past (or near the portal in and out of it), but they are trivial to the story, and really only mentioned at the start and end. Once I made it past the getting to the past portion of it, I was really enjoying the story.

King did a wonderful job of building the characters in this book. At the beginning I was hoping that it would quickly handle the stopping Oswald bit and get right on to King’s imagined view of the future if it had never happened. Instead I found myself really empathizing with the Jake/George character as well as his love interest Sadie. By the second half of the book, I didn’t really care if he succeeded or failed in his attempt to stop Oswald, I just wanted to find out what would happen between George and Sadie. Would he stay with her in the past? Would she join him in the future? Of course that decision wasn’t his to make -the past is obdurate, after all.

Without going into any detail about the book -which I am going to avoid because you really should read this book if you haven’t (perhaps particularly if you’re not a fan of King)- I will say that the story was excellent. The history portion of the story was handled with meticulous detail. King clearly did a great deal of research to make sure of the times and places of events to weave his story around -making it seem all the more real. I am not a huge fan of the way he chose to end it, but when it come right down to it, there are really only three ways that it could end and he chose the one that you would probably never have guessed. I’m curious to see if the movie version will share this ending or if they will go with a much happier ending (which either other option would have been).

I liked the book enough that I asked my Mom what her favorite King book was. She said The Stand. I am reading it now. Hopefully this one will keep me as engaged as 11/22/63 did, and if so, I may find myself reading the rest of King’s work. It really has been much better than expected so far.