Shadowtwin.com

Like most of the music being released in the late 60's/early 70's that was pushing the rock-n-roll envelope, Dream On relies heavily on solid composition and and melody. Before the era of the modern effects processor, these bands had no distortion to hide behind (or very little), and synthesized instruments hadn't yet made their way into music. In that way the music always sounds more raw to us today because, quite simply, it was. While it seems laughable to think about today, music like this was so far removed from the bubble-gum pop of the 50's that it still wasn't accepted into the mainstream. As the baby-boomers became the target demographic, the rock-n-roll movement really started to pick up speed, with bands like Led Zeppelin and Aerosmith clearing the path for the much darker and heavier bands like Black Sabbath.

While I (and most of my generation) are probably far more familiar with the Aerosmith of the late 80's and early 90's, the reason this song makes it onto my MLtH page comes down to one thing: Age. Not necessarily the age of the song; In fact, as I sat down to do the research for this today, I had no idea when it was released, but would have guessed (closely) the mid 70's. Tyler was born March 26, 1948, meaning that this song was written when he was only 24 years old. I'm not sure why, but I have always thought this song was pretty amazing given his age at composition. I suppose it is human nature to wax poetic about the days of yore and the imminent passage of time, but the melody sets a mood that makes you feel it right along with him. As the song nears the end and his lyrics become more more frenzied, you can almost feel the pain (longing?) in his voice. Listen to it with headphones and no distraction sometime, you'll see what I mean.

I wrote a short bit some time ago about Kelly Sweet's cover of this song (see the video on Youtube). While I have since gotten over the initial hatred I felt towards the cover of the song, I still just can't like it. The words are there; she hits the notes; but I just can't hear it in her voice. As if there is somthing very personal about the song and Tyler's deliverance of the lyrics that just can't be duplicated. At least to me.

That said, I have heard Aerosmith doing the song with an orchestra, and it also seems to lack the passion of the original. So perhaps the thing that I like so much about it is the under-produced, raw sound of it, or it may be that I am still hearing it through the ears of that impressionable youth that heard if for the first time in a dusty old Van with my Uncle

Art. Either way, it seems it is Lost to History.